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| Sean Anderson, FAAR ’05, Flames of Devotion: Oil Lamps from South and Southeast Asia and the Himalayas. University of California Los Angeles, Fowler, 2006. |
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| Robert Bagg, FAAR ’59, The Bakkhai by Euripides, (trans.) University of Massachussetts Press, 1978. |
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| Robert Bagg, FAAR ’59, Body Blows: Poems New and Selected. University of Massachussetts Press, 1988. |
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| Robert Bagg, FAAR ’59, Hippolytos by Euripides, (trans.) Oxford University Press, 1992. |
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| Robert Bagg, FAAR ’59, Madonna of the Cello. Wesleyan University Press, 1961. |
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Robert Bagg, FAAR ’59, Nike. Azul Editions, 2005.
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| Robert Bagg, FAAR ’59, The Oedipus Plays of Sophocles. (trans.) University of Massachussetts Press, 2004. |
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| Robert Bagg, FAAR ’59, Oedipus the King, (trans.) University of Massachussetts Press, 1982. |
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| Shane Butler, FAAR'98, The Hand of Cicero , Rutledge, 2002. |
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| Anthony Corbeill, FAAR '95, Nature Embodied. Gesture in Ancient Rome , Princeton 2004. |
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| Anthony Corbeill, FAAR '95, editor, Memoirs of the American Academy in Rome, Volume 48 2003. |
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| Sheila Dillon, FAAR '98, Ancient Greek Portrait Sculpture: Contexts, Subjects, and Styles. Cambridge University Press, 2006. |
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| Sheila Dillon, FAAR '98, Representations of War in Ancient Rome. Cambridge University Press, 2006. |
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| Kathryn L. Gleason, FAAR '87, The Archaeology of Garden and Field. University of Pensylvania Press 1998. |
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| Christopher Hallett, FAAR '96, The Roman Nude: Heroic Portrait Statuary 200 BC-AD 300. Oxford University Press 2005. |
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| Kim J. Hartswick, RAAR '99, The Gardens of Sallust. A Changing Landscape. University of Texas Press 2006. |
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| Peter J. Holliday, FAAR '95, The Origins of Roman Historical Commemoration in the Visual Arts. Cambridge University Press 2002. |
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| Guy Michael Hedreen, FAAR '94, Silens in Attick Black-figure Vase-painting: Myth and Performance. University of Michigan Press 1992. |
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| Guy Michael Hedreen, FAAR '94, Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art. University of Michigan Press 2001. |
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| Vincent Katz, FAAR '02, Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art. University of Michigan Press 2001. |
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| Lynne Lancaster , FAAR '02, Concrete Vaulted Construction in Imperial Rome: Innovations in Context. Cambridge University Press, 2005. |
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| Anna Marguerite McCann, FAAR '64-66, Deep-Water Shipwrecks off Skerki Bank: the 1997 Survey, Journal of Roman Archaeology, suppl. ser 58. |
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| Richard Neer, FAAR '04, Style and Politics in Athenian Vase-Painting: The Craft of Democracy, circa 530-470BCE. Cambridge University Press 2002. |
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| Jenifer Neils, RAAR’95, The Parthenon Frieze. Cambridge University Press, 2001. |
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| Jenifer Neils, RAAR’95. The Parthenon from Antiquity to the Present. Cambridge University Press, 2005. |
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| Holt N. Parker, FAAR '96, "Crucially Funny or Tranio on the Couch" in Oxford Readings in Menander, Plautus, and Terence, ed. Erich Segal. Oxford University Press 2001. |
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| Holt N. Parker, FAAR '96, "Love's Body Anatomized:The Ancient Erotic Manuals and the Rhetoric of Sexuality" in Pornography and Representation in Greece in Rome , ed. Amy Richlin. Oxford University Press 1992. |
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| Holt N. Parker, FAAR '96, "Sappho Schoolmistress" in Re-Reading Sappho: Reception and Transmission, ed. Ellen Greene. University of California Press 1996. |
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| Holt N. Parker, FAAR '96, "Heterosexuality" in The Oxford Classical Dictionary, 3rd, ed. Simon Hornblower and Anthony Spawforth. Oxford University Press 1996. |
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| Holt N. Parker, FAAR '96, "Teratogenic Grid" in Roman Sexualities, ed. Judith Hallett and Marilyn Skinner. Princeton University Press 1997. |
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| Holt N. Parker, FAAR '96, "Latin and Greek Poetry by Five Renaissance Italian Women Humanists" in Sex and Gender in Medieval and Renaissance Texts, ed. Paul Allen Miller, Barbara K. Gold and Charles Platter. SUNY Press 1997. |
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| Holt N. Parker, FAAR '96, "Loyal Slaves and Loyal Wives: The crisis od the outsider-within and Roman exemplum literature" in Women and Slaves in Greaci-Roman Culture, ed. Sandra Joshel and Sheila Murnaghan. Routhledge 1998. |
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| Holt N. Parker, FAAR '96, "The Observed of All Observers: Spectacle, Applause, and Cultural Poetics in the Roman Audience" in The Art of the Ancient Spectacle, ed. Bettina Bergmann and Christine Kondoleon. Studies in the History of Art. Center for Advanced Study in the Visual Arts. National Gallery of Art 1999. |
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| Lauren Peterson. The Freedman in Roman Art and Art History. Cambridge University Press, 2006. |
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| Rose Mary Sheldon. Spies of the Bible. Greenhill Books, 2007. |
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| Roger B. Ulrich, FAAR’82. Roman Woodworking.Yale University Press, 2007. |
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| Emily R. Wilson, FAAR’06. The Death of Socrates. Harvard University Press, 2007. |
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